A captivating narrative unfolds in Cherie Dimaline’s novel “Empire of Wild,” centered around three generations of women striving to rescue their family member from the clutches of the werewolf-like Rogarou. Their mission involves locating a missing husband and safeguarding their land from encroaching corporate interests.
The novel’s raw, alluring, and intense storyline earned it the prestigious title of Indigo’s top book in 2019, surpassing renowned works such as Margaret Atwood’s “The Testaments” and Taylor Jenkins Reid’s “Daisy Jones & The Six.” Now, a substantial investment of approximately $4 million is underway to transform Dimaline’s creation into an opera, spearheaded by an Indigenous-led creative team. The world premiere is scheduled for next spring in Toronto, aiming to attract a younger demographic and opera novices while potentially challenging traditionalists favoring the classical repertoire.
Set in the Penetanguishene Métis community of Georgian Bay, Ontario, the novel resonates deeply with Dimaline’s upbringing in the same region. Composer Ian Cusson, also hailing from the area, identified familiar elements in the story, drawing from childhood tales passed down by his mother.
Emphasizing the importance of contemporary representation, Cusson and Dimaline crafted relatable characters for modern audiences, including queer individuals and working-class families facing extraordinary circumstances. The opera adaptation promises a unique blend of modern storytelling infused with elements of horror and a cinematic experience, appealing to younger audiences seeking innovative entertainment.
The narrative delves into themes of power, resistance, and resilience, exemplified through Joan’s journey to reunite with her husband amidst sinister forces at play. Upholding strong matrilineal traditions, the story underscores the significance of intergenerational support and ancestral wisdom.
Featuring a diverse cast of talents, including Indigenous artists like Marion Newman and Evan Korbut, the opera encapsulates a universal truth of survival and cultural endurance. Through the concept of “survivance,” Indigenous peoples’ resilience and cultural continuity in the face of colonialism are celebrated and honored.
As the opera unfolds under the guidance of Indigenous creators, the production symbolizes a pivotal moment for Indigenous representation across various fields. Encouraging an inclusive approach to artistic creation, the team, led by figures like Cree designer Jeff Chief and Algonquin director Yvette Nolan, fosters a collaborative environment where every contribution is valued equally.
Echoing the sentiment of inclusivity and shared creativity, Cusson envisions this holistic approach to artistry permeating the opera landscape, advocating for a paradigm shift towards collaborative and inclusive artistic endeavors.