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Sunday, August 23, 2026

Master Weaver Myrna Crossley Preserves Cultural Heritage Through Art

Master weaver Myrna Crossley views a blanket as more than just wool; it represents a deep connection to the land and culture, requiring weeks of dedication to create. Residing on the Tsartlip reserve within the W̱SÁNEĆ territory, Crossley, who has been weaving full time for the past five to six years, draws inspiration from her LƏk̓ʷəŋən-speaking heritage from Tsawout and Songhees, passed down through her mother’s lineage.

Learning the art of weaving from a workshop with Rita Bob of Pauquachin in 1993, Crossley has since delved into sourcing natural dyes, including nettle, barks, arbutus, cedar, maple, and various mushrooms, to create unique colors for her pieces. Experimenting with different plant materials and being attuned to nature’s offerings, she emphasizes the importance of understanding the origins of each dye she uses.

Her recent works include a 12 feet by five feet piece displayed at the University of Victoria and pieces at the Chicago Museum. Crossley is currently working on two larger commissions and creating smaller weavings for cultural events and personal use. Not only does she aim to showcase the artistic aspect of weaving but also to convey the cultural significance and connection to the land through her creations.

Reflecting her deep respect for nature, Crossley’s weaving process involves prayer, meditation, and gratitude towards the flora and fauna she gathers for dyeing. With a keen eye on the impact of climate change on her practices, she notes how unpredictable weather patterns have affected her dyeing materials, emphasizing the need for adaptability in her craft.

The time-intensive process of weaving a blanket involves gathering materials, spinning wool, dyeing, and weaving, each step requiring meticulous attention and care. Crossley’s dedication to preserving her cultural heritage and honoring her ancestors through weaving is evident in her commitment to replicating family blankets woven by her fourth-generation grandmother, Swanimia, using traditional materials like Salish woolly dog hair and mountain goat hair.

Weaving serves as a sanctuary for Crossley, providing solace and a profound connection to her roots, land, culture, and family history. Through her intricate weaving process and deep reverence for nature, Crossley continues to carry forward the legacy of her ancestors while creating pieces that honor her heritage.

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